国籍：美国
团员组成：大卫·洛厄里 、维克多·克鲁梅纳赫 、乔纳森·席格尔 格雷格 ·利舍 、克里斯·佩德森
成立时间：1983年
简介：Camper Van Beethoven是一支美国摇滚乐队，1983 年成立于加利福尼亚州雷德兰兹，后来以圣克鲁斯和旧金山为据点。他们的风格融合了流行、斯卡、朋克、民谣、另类、乡村和世界音乐等多种音乐风格。该乐队最初在加州内陆帝国的硬核朋克圈内引起两极分化，随后获得更广泛的认可，并最终赢得国际观众的青睐。他们强烈的反传统精神和对DIY价值观的强调对蓬勃发展的独立摇滚运动产生了深远影响。
乐队的前三张独立唱片在 18 个月内发行。他们的首张单曲是《Take the Skinheads Bowling》，这首歌后来出现在迈克尔·摩尔 2002 年的电影《科伦拜恩的保龄球》中。该乐队于 1987 年签约维珍唱片公司，发行了两张专辑，并凭借 1989 年翻唱Status Quo 的《Pictures of Matchstick Men 》一举成名，这首歌登上了《公告牌》杂志的现代摇滚曲目榜首。由于内部紧张，他们于次年解散。
主唱David Lowery组建了Cracker，David Immerglück加入了Counting Crows，其他几名成员则加入了Monks of Doom。从 1999 年开始，这几位前成员重新聚首并录制了几张新唱片。
从艺历程：At the time of their 1985 debut, Camper Van Beethovens merging of punk, folk, ska, and world musics was truly a revelation. Self-described as surrealist absurdist folk, the band formed in Santa Cruz, CA, after singer/songwriter David Lowery of Redlands, CA, with his dry humor and valley-boy voice (sometimes confused for a faux English accent), and boyhood friends Chris Molla and Chris Pedersen disbanded Box o Laffs. Victor Krummenacher was added on bass and soon they were joined by Greg Lisher (guitar) and Jonathan Segel (violins, keyboards, mandolin). It was Segels violin that would prove to be the bands hallmark at a time when alternative rock had yet to be invented, and indie rock was still shy of roots music or traditional elements.
The 1985 re-release of their debut, Telephone Free Landslide Victory, made the Top Ten in the 1986 Village Voice Pazz and Jop Poll, as did their second album, II & III, and Camper Van Beethoven, both released in 1986. On II & III, they went for a purer indie rock sound with touches of country, as evidenced in their Sad Lovers Waltz and their cover of Sonic Youths I Love Her All the Time. The band deftly switched modes from punk to ska to rock on alternate takes, but by this time Molla had left the fold. The third album, confusingly titled Camper Van Beethoven, continued the thread, but outstanding tracks like Joe Stalins Cadillac were in the more straight-ahead indie rock vein. However, the band would consistently blow peoples minds by tossing around things like a reverent version of Pink Floyds Interstellar Overdrive. For its Virgin Records debut, coinciding with the labels U.S. re-launch in 1988, the band took a more serious tack on Our Beloved Revolutionary Sweetheart, and the group that had once been confined to low budgets and small studio facilities stretched out perhaps a little too aggressively.
For Key Lime Pie, Camper Van Beethovens final release in 1989, the band took it as far as it could go. Morgan Fichter had replaced Segel by this time. Krummenacher, Pedersen, and Lisher continued to play together in what began as a side project in 1985, Monks of Doom, which turned into a full-time job for them, with four albums and an EP to their credit. Though no longer working as the Monks, the trio, along with Segel and Camper touring guitarist David Immergluck, continue to play together in various formations. Jonathan Segel released three albums as Hieronymous Firebrain from 1990-1994 and two with Jack & Jill for the Magnetic label. Krummenacher released a solo record, Out in the Heat, also for Magnetic, and continues to work with members of Tarnation in Lava. Immergluck and Fichter continue to tour and play sessions with bands of considerable renown (Counting Crows and Natalie Merchant respectively, among others); Lowery took some time off before forming Cracker, but didnt commingle with his former bandmates until reuniting with Krummenacher and Segel in late 1999 to assemble the bizarre rarities collection Camper Van Beethoven Is Dead: Long Live Camper Van Beethoven.
In 2002, the band released a CD that had been recorded on a lark back in 1987: a song-for-song cover version of Fleetwood Macs Tusk album. Meanwhile, the original members had quietly reunited and begun work on a new batch of songs. They surfaced in 2004 with New Roman Times, a rock opera that told the story of a Texas teen who joined the military and then left to join an anti-government militia.
